ZUNGK WORLD

YEARS OF IMPACT

How do you measure the impact of design?

We see the evidence
of impact when...

...a girl can make a more informed decision about her health and life.

...a parent has the tools and confidence to help their children thrive.

...an organization can more effectively meet the needs of a population it serves.

Although the impact of design can be difficult to measure, doing so is essential.

WHAT WE COUNT

53M reached with informational campaigns such as life-saving information about COVID transmission

1.1M reached with improved services such as patient-centered HIV testing and adolescent reproductive health

4.2M reached with innovative products such as solar lighting and agriculture tools

4.7M reached with digital solutions such as mobile banking platforms that solve for low literacy

REACH BY GEOGRAPHY

In the past 10 years, we’ve worked across 45 countries in collaboration with over 100 partners.

[HOVER OVER GREEN DOTS TO SEE LIST OF PARTNERS AS OF MARCH 2021] NORTH AMERICA

644,000

WOMEN
& GIRLS

Stories of impact unfold through services, tools, campaigns, and systems that become part of daily life.

4,109,800

FARMERS &
FOOD
ENTREPRENEURS

OUR PROCESS

A way of working that keeps people, systems, and evidence in motion.

LISTEN

Start with people, context, and the conditions that shape everyday decisions.

MAKE

Prototype services, campaigns, tools, and systems with the people who will use them.

MEASURE

Track reach, behavior, adoption, and what continues to move after launch.

ZUNGK IS IMPACT WHEN THE LEFTOVER STARTS MOVING SOMEONE ELSE.

Not junk. ZUNGK.

ZUNGK WORLD

A room for the things that stayed after the feed moved on.

Keep scrolling collector mode opens slowly

EVERYTHING IS RECOMMENDED, SORTED, SAVED.

ZUNGK starts where polished systems fail: in the leftovers, the badly named files, the secondhand objects, the feelings that were too small to trend.

JungK THE COLLECTOR

Click a saved object.

Vrown

WHAT JUNGK COLLECTS, VROWN SELLS BACK AS FEELING.

On stage the archive becomes a transaction: love, hurt, pleasure, boredom, a cute thing with teeth.

JUNK

THE LEFTOVER SELF LEAKS OUT LATE.

Not a villain. Not a clean alter ego. Just the parts JungK could not classify and Vrown would not perform.

Living map

Six rooms, one emotional cycle.

ARCADE RUINS opens the world like a character select screen: bright, slightly broken, and not fully explained.

I AM MADE OF WHAT I KEPT.

나는 내가 모은 것들로 만들어진 사람.

We build brand worlds for brand fans and beyond

We are not defined by disciplines. However, here are some of the things we do...

Our Studio

A CREATIVE
PLAYGROUND

Crafted from the ground up, the studio is designed to foster a creative community that inspires. Across two floors, it keeps the serious work up front and the playful energy in the back.

Our People

WE ARE A GROUP
OF UNIQUE, DESIGN
DRIVEN PEOPLE.

Our playful design process is built on collaboration, open conversation, and the kind of room energy that lets good ideas get louder.

That approach helps us deliver stronger creative outcomes and build lasting partnerships with our clients.

ONE AND DONE
ISN’T IN OUR DNA.

JOIN THE ANALOGUE TEAM
OPEN POSITIONS BELOW:

Jobs

OPEN POSITIONS

SENIOR DESIGNER

LEEDS BASED - STUDIO

ARE YOU A SENIOR DESIGNER WHO CAN INSPIRE A TEAM?

We are looking for a designer with confident craft, strong art direction, illustration range, and a sharp instinct for culture-led brand worlds.

Someone who can move between packaging, branding, illustration, and campaign systems while helping younger designers raise the bar.

It helps if you know your way around motion conversations, love entertainment and pop culture, and enjoy building trust with clients.

If that sounds like you, drop us an email:

jobs@madebyanalogue.co.uk

Our Team

Barry Darnell : CEO, Executive Creative Director / Oli Lee : MD / Tez Humphreys : Creative Director / Mike Johns : Creative Director / Abbie Halls : Head of Client Services / Faye Mathieson : Marketing Manager / Dave Robbins : Design Director / Dave Huntley : Senior Designer / Brett Kellett : Senior Designer / Claudia Swingewood : Designer / Tom Clague : Designer / Jameson Rogan : Designer / Kian Repsy : Junior Designer / Jess Rose : Senior Illustrator / Joe Snow : Senior Illustrator / Ash Woodrow-Smith : Head of Motion / Matt Lynch : Motion Designer / Will Broadbent : Motion Designer / Alex Hilbert : Motion Designer / El Mitchell : Senior Account Manager / Meg Milner : Junior Project Manager / Alisha Spingall : Account Manager / Josh Watts : UX Designer / Barry Darnell : CEO, Executive Creative Director / Oli Lee : MD / Tez Humphreys : Creative Director / Mike Johns : Creative Director / Abbie Halls : Head of Client Services / Faye Mathieson : Marketing Manager / Dave Robbins : Design Director / Dave Huntley : Senior Designer / Brett Kellett : Senior Designer / Claudia Swingewood : Designer / Tom Clague : Designer / Jameson Rogan : Designer / Kian Repsy : Junior Designer / Jess Rose : Senior Illustrator / Joe Snow : Senior Illustrator / Ash Woodrow-Smith : Head of Motion / Matt Lynch : Motion Designer / Will Broadbent : Motion Designer / Alex Hilbert : Motion Designer / El Mitchell : Senior Account Manager / Meg Milner : Junior Project Manager / Alisha Spingall : Account Manager / Josh Watts : UX Designer /